“‘Sláine’ has always been a writer-driven story, or I should say muse-driven story. I write what the muse tells me to write and she gives me little choice in the matter.”
That’s Pat Mills, talking about the Celtic barbarian series “Sláine,” which he has written in the pages of “2000 AD” off and on for nearly 30 years.
In my temporary moments of clarity, when I take a minute to step outside the vortex of my obsession with mainstream American comics, I would cite Mills as one of my favorite comic book writers of all time. He’s certainly one of the best in the business, even if he’s rarely cracked the American market, and thus, doesn’t get written about nearly as much as he deserves. His disdain for superheroes has allowed him to keep his distance from Marvel and DC, while so many other “2000 AD” writers have been scooped up and churned through the sausage grinders of Gotham City or whatever the equivalent would be in Marvel’s outer space.
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But I’m not here to talk about “Marshal Law” or delicious bacon, even though those are two of my favorite things in the world.
No, I’m here to talk about the new Rebellionhardcover edition of “Sláine: The Horned God,” because, while it may not be one of my favoritethings in the world, I do quite enjoy Pat Mills barbarian comics, particularly when they’re drawn/painted/or-otherwise-illustrated by Simon Bisley.
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Still, a couple hundred pages of Mills/Bisley comics (with a few pages of commentary by Mills and a few sketches by Bisley in the back) is a value at any price. This is the good stuff.
And, as I found out back when I read my falling-apart Fleetway editions as a teenager, these are a decidedly different kind of barbarian comics.
To be fair, I didn’t have deep knowledge of the genre when I first read the Mills/Bisley “Sláine” stories, though now that I have read more original Robert E. Howard tales and seen more variations on the barbarian genre than I had back in 1990-1991, I still think that Pat Mills was doing something decidedly different with the archetypes.
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“Sláine: The Horned God” isn’t the first of Pat Mills’ Sláine stories (he actually co-created the character with his wife in 1983), and it’s not the last. But it’s probably the best. Simon Bisley painting and drawing his heart out will do that to a comic. Especially one that isn’t afraid to be smart and funny and vicious all at the same time.
Plus, Sláine rides a dragon and throws barbed spears with his feet. That’s what Conan wishes he could do, all those times when he’s standing with his arms folded, looking surly.